Flogging the language

Steve Almond at the Rumpus, on Stoner, hitting close to home, alas:

I first heard about Stoner back in grad school. I’d been on a Denis Johnson jag (weren’t we all?) and so naturally assumed the novel was a florid account of reefer madness. This is how Stoner begins:

William Stoner entered the University of Missouri as a freshman in the year 1910, at the age of nineteen. Eight years later, during the height of World War I, he received his Doctor of Philosophy degree and accepted an instructorship at the same university, where he taught until his death in 1956. He did not rise above the rank of assistant professor, and few students remembered him with any sharpness after they had taken his course.

To understand how audacious I found this opening you would have to know how loyal I was, back then, to the bromides of MFA programs: show, don’t tell, make it new, and so on. Because I lacked confidence in the stories I was trying to tell, and because those stories were half-formed at best, I was constantly withholding basic facts from the reader. It was my assumption this would beguile them. I also crammed my pieces with histrionic plot twists and quirky characters. When that didn’t work, I flogged the language mercilessly.

* * *

Oddly (this is Ed speaking again) I have read John Williams—but not Stoner. A historical novel called Augustus! We had to read it in 9th grade!

Quality and cohesion

Steve Almond, on being a "Poet for a Year":

I did some checking into this manuscript business, and it turned out they didn’t have to be very long. I had perhaps four or five manuscripts on my hands. But how to release them into the world? All at once? No, that seemed greedy. Two at a time, like a double album?

It was my pal Dave who gently suggested that most poets did a fair bit of winnowing, that there was a certain internal logic to a book of poems.

“Right,” I said suspiciously.

One might write literally thousands of poems before amassing enough for a manuscript.

“Sure,” I said.

It wasn’t about quantity, but quality and cohesion.

At this point, I began tuning him out.