What is "Sweet"?
L Magazine's Mark Asch interviews curators Shelly Oria and Annie Levy about this Thursday's event!
Labels: L Magazine, SWEET Actors Reading Writers
L Magazine's Mark Asch interviews curators Shelly Oria and Annie Levy about this Thursday's event!
Labels: L Magazine, SWEET Actors Reading Writers
Catching up:
"Did every story about black folks have to be such a downer?" Ricky Rice wonders in exasperation, a few seconds into a speech by the Dean, whom he and the other Unlikely Scholars report to. His own story, of course, will prove the exception to the rule: Beginning in the toilet, his experience somehow avoids a typical rags-to-riches (or needle-to-rehab) structure and gives us something haunting and fresh, its freakout tempos (there's no way I'm telling you my favorite one) modeled on horror stories and other glorious pop culture detritus -- the way parts of "Mumbo Jumbo" read like creature-feature pastiche.
Grossman floats free of genre demarcations, and it's fascinating to piece together his road map of influences. As a Yale grad student, he got excited about Russian Byronism -- the Byron craze in Russia, "which resulted in a lot of amazing literature, almost all of which was better than actual Byron." He calls the instance in "The Brief Wondrous Life of Oscar Wao" when Junot Díaz unwinkingly compares the dictator of the Dominican Republic to Middle-earth's Sauron "a great moment for nerdo-American culture."
For a long time I read at work. My work itself involved reading: I was a copy editor at The Village Voice. But some days, vast lulls separated the articles, and my fellow copy editors and I would burrow into books at our desks. Michael read Ivy Compton-Burnett. Bruce had his Robert Musil. Jane gave me two of her DeLillos; I gave her Jonathan Coe. If you finished your novel, you could go to the long row of file cabinets near the mailboxes, where editors would discard their unwanted review copies, old issues of Paranoia and The Nation.
Labels: Astral Weeks, Ishmael Reed, Junot Diaz, L Magazine, Lev Grossman, Victor LaValle
I. Taking down the Invisible Library exhibit in London:
When Park read at our fiction issue reading last July, he introduced his reading by reading "Borges and I", swapping in his own name for JLB's; I can only imagine the superhuman effort it took him to resist the impulse to spend all 1,200 words on Borges. Or, for that matter, to invent an imaginary book, and sneak it into his rundown of real books containing mentions of imaginary books. (I checked; all the books he mentions and describes really do exist. Disappointing.)
Labels: Ben Greenman, INK, Invisible Library, L Magazine
I had never subscribed to any religion, but it turned out this god was inhabiting a mole on my left shoulder that I'd always been worried about but hadn't quite gotten around to removing.
Labels: L Magazine, Lincoln Michel
"Variations on Original Sin," another chapter of the novel-in-progress known as The Dizzies, is part of L Magazine's fiction extravaganza. First paragraph!:
Marjorie’s father, Poindexter Bantam, was my philosophy professor at Rue University. Set at the edge of a collapsing milltown, Rue was a power in the short-lived Modern American Football League and did not have much of an academic reputation back then. I attended on the G.I. Bill, intending to major in agriculture and minor in economics, but found my naïve theories of irrigation so profoundly challenged that I wound up in the infirmary for a week. My regulation crewcut grew improbably lush, and for minutes at a time I didn’t recognize the face that met me in the mirror. Nurse Nancy diagnosed melancholy and proposed a course of therapeutic massage. I accepted. A few days after I was released I picked about a thousand flowers and manhandled them into a sad bouquet. But the receptionist told me Nancy had gone off to get married that morning, and I never saw her again.
Labels: L Magazine, PD readings, The Dizzies