Megalopolitan Diary, or A Dash Shaw catchup kit (for you and for me):
I reviewed Dash Shaw's great graphic novel Bodyworld on Sunday—here is some stray Shavian stuff!
I. A link to his IFC series The Unclothed Man in the 35th Century. (The storyboards, and other stories, including one of particular interest to "Dizzyheads," are collected in last year's book of the same title.)
(Via Eric Reynolds)
II. Poster for screening of Stanley Milgram's shocking Obedience:
(Via L.G. Thos.)
III. Douglas Wolk reviews Bodyworld (NYT)—an important point about the layout!:
The first sign that “BodyWorld” doesn’t play by the rules is that the book’s spine is at its top. The overall motion of Shaw’s story becomes a downward scroll rather than a rightward stroll. The climax of that slow 380-page dive is a remarkable sequence toward the end — seven pages devoted to a single gigantic panel that pulls the reader’s perspective downward across the architectural landscape of a future megalopolis, after which the movement of the story bounces back up into the stars. This is a disorienting, distracting funhouse of a book: there are long hallucinatory passages, near-abstract images, drawings overlaid on one another until they’re nearly incomprehensible.
IV. I might have posted this before—trailer to The Ruined Cast:
"The Ruined Cast" / Dash Shaw - demo teaser from Howard Gertler on Vimeo.
Labels: Dash Shaw, Douglas Wolk, Thomas Beard
0 Comments:
Post a Comment
<< Home