The first and the last
A Lover’s Almanac is performative, dizzying, richly layered, like some fabulous brocade. By the time The Rags of Time emerges, the writing has taken a long journey, through the bittersweet and intoxicating Big As Life, through the sad rich quiet of The Silver Screen. Each volume succeeds in transforming its season into something foreign, unknown. And, like the seasons, each book expands and alters the stories that came before it. Because the seasons are cyclical instead of linear, this is, potentially, an infinite process. At the end of the forth book I wanted to begin all over again-I wanted to revise my reading with re-reading. What could the first volume say about the last? What could the early lives tell me about the later ones?
—Emily Austin on Maureen Howard's The Rags of Time, in The Faster Times