Jay for fake
Is Jacket Copy still doing its Postmodernism Month? Murray Jay Siskind, who steals his scenes in DeLillo's White Noise and the pseudonymous Amazons, reviewed DFW's Oblivion in Modernism/Modernity in 2004. Here's editor Lawrence Rainey's letter sort of explaining it ("Who but a fictional character could be better qualified to review . . . well, new fiction? Isn’t that the very essence of peer reviewing?"), and here's a White Noise–infused extract from the piece:
It is at this point that I must confess to missing something in Wallace, namely the presence of women nearer the center of the narration (setting aside Lenore Stonecipher Beadsman, Jr., the protagonist in Wallace's first novel, The Broom of the System). I admit that I've always been partial to them, i.e. women. I fall apart at the sight of long legs, striding, briskly, as a breeze carries up from the river, on a weekday, in the play of morning light. And what fun it is to talk to an intelligent woman wearing nylon stockings as she crosses her legs. Wallace, I suspect, shares these predilections and could write wonderfully complicated women.
(Via Gawker, from Bret, who writes, "No love for Amazons!"—the piece doesn't mention MJS's appearance in that book; and from Lauren)
(Will post some Amazons-grade Siskind later maybe?)
Labels: Amazons, David Foster Wallace, Don DeLillo, White Noise
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