Cinema cope
At The Fanzine, Scott Bradfield reviews Steve Erickson's Zeroville:
A sort of pop-culture-retelling of American history from 1969 through the early eighties, it follows the life and career of a renegade ex-Calvinist named Isaac Jerome (though he prefers to be called by the weirdly-appropriate name of Vikar.) Raised without any of the usual cultural amenities—television, radio, magazines, and simple human affection—Vikar eventually defies his father by going to the movies. He has a disparate introduction to world of cinema by viewing everything from Blow Up to The Sound of Music, and this turns out to be only the first step in an escalating series of transgressions.
Labels: Scott Bradfield, Steve Erickson
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